The long dead ghosts of celluloid are coming back to haunt the digital space.

As Hakim is waiting for the bus after class, he is caught in a vendetta between teenagers. He is not exactly keen to get into a fight, but how can he possibly avoid an awaited confrontation?

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The mystery of the Geneva Window: a masterpiece of Irish art commissioned by the Irish Government but ultimately rejected, abandoned and hidden away for fear of scandalising the nation.

The conflict between innocence and evil is the shortest definition of the leitmotifs of the film. The story is taking place on a winter day in a remote province, far from all major events that shook the world today. A young woman teacher goes to a remote village where he got the first job after six years of waiting. Happy and hopeful that her life finally begins ... The other main feature is similar to it. Male character returns from the war in which, in fact, he was not. The first day of the war he was wounded and spent eight months in the hospital. His first job as a taxi driver on an empty train station where there is not many passengers, but it offers the peace that he needs to overcome his trauma and that gives hope that he is finally something good to happen. But harsh times threaten to destroy the dreams of the teacher and taxi drivers. Fortunately the man who is young like them, but he has completely different goals in life.

Hoping to cash in on the final stages of the found-footage phenomenon, a shady LA producer hires a small crew of cult-icon, has-been and never-were filmmakers to 'whip up' a supernatural, first-person perspective ghost story on a pitifully low budget. Along with a handful of amateur actors, the group heads into the woods and sets about rigging up 'scares' and planning the story with varying degrees of enthusiasm. After filming the first gag, the actors return to base camp to find the crew has been brutally murdered. MOST of the crew, anyway... Now the actors are lost far from home and being hunted stalked by a vicious killer with an eye for cinema.

A love story between a middle-aged French theater director and a young Azerbaijani actress. He's achieved success and fame, heads a theater, ladies adore him yet he remains single afraid of commitments. Camilla is his last chance. The Frenchman is ready to go to a lot of trouble in order to see her (rush to Azerbaijan at the first opportunity, abandoning his obligations at home, keep waiting for secret dates - the lady is married) and yet is reluctant to lose his freedom...

Queen Clytemnestra assassinates King Agamemnon. Their daughter, Elektra, lives for the day when her father's death will be avenged. Like a curse, the vendetta must be fulfilled, but is Elektra capable of committing the irreparable? At Grand Théâtre de Genève, the cogs of revenge are set in motion by director Ulrich Rasche, who imprisons the characters of Elektra in a spectacular scenic device: a steel tower weighing almost twelve tons in perpetual rotation. In the pit, conductor Jonathan Nott and his Orchestre de la Suisse Romande confront the musical challenges of Strauss' intoxicating one-act score. The female characters at the centre of the drama are sung by three artists of the highest calibre: Ingela Brimberg as Elektra, Sara Jakubiak as Chrysothemis and Tanja Ariane Baumgartner as Clytemnestra.

The story of Maria Montez, an exotic and glamorous Dominican actress who achieved fame and popularity in Hollywood and Europe until her untimely death in 1951.

The Making of In Harm's Way (1965)